Starting in Russia and bursting into creative prominence at L.A. ‘Monna Lissa’ tattoo studio, Azat’s career has always been based on the evolution of Realism, combining creativity, masterful use of technique and control.
Azat, can you tell me about your life as a tattoo artist? Was there a before and after you arrived in Los Angeles, or was it all one continuous journey of learning, experience, and evolution in the field of tattoo art?
My journey has been continuous, but moving to Los Angeles marked a clear turning point. Before that, I spent around five years traveling and working across Europe, while being based in Russia, where I built my foundation and developed my style.
The U.S. scene introduced a different cultural context, especially in how New School connects with pop culture, whereas in Russia it tends to be more conservative. I naturally adapted to this environment, which influenced both the themes and the overall energy of my work.
Is it enough for you to have your style defined simply as ‘New School’, or — given the richness of your subjects and the impact of your colors — does your work deserve a more detailed explanation?
“New School” is a reference point, but it doesn’t fully describe what I do anymore. My technical approach is closer to Realism, while the visual language is influenced by CG art and the game industry. Because of that, my work sits somewhere between categories.
It’s more accurate to describe it as a translation of digital visual thinking into tattooing.
I think yours is truly the perfect balance between imaginative fictional characters and a brilliant, enduring use of color. When did you first discover you possessed this perfect combination of talents?”
I wouldn’t describe it as something I discovered at a certain moment. It’s the result of a long process of building control, over composition, color, and execution. Balance has always been the goal, and over time it became more precise and intentional.
How important is color theory in your work? Must technique and imagination always go hand in hand to create a great tattoo?
Color theory is fundamental; it defines how strong the work will feel visually. At the same time, I separate creativity and execution. During the design phase, I focus fully on imagination and building a complete visual solution. When I tattoo, I focus purely on technique and control. This separation allows both aspects to reach a higher level, but ultimately they support each other.
Did you have a major role model in your formative years? Did you aspire to become as skilled as a particular tattoo artist, or are you largely self-taught?”
Like most artists, I had people who inspired me and helped shape my direction early on. They served as reference points, but my goal was never to copy anyone, it was always to develop my own approach.
What has working at the ‘Monna Lissa’ in Los Angeles taught you so far? And what do you think you’ve brought to this famous Californian studio?
Working in a strong environment like ‘Monna Lissa’ (IG: @monna.lissa_) always pushes you further. Sergey Shanko’s approach to design, especially his way (IG: @sergey_shanko) of thinking in concepts, had a noticeable influence on me.
As for my side, I bring a very structured approach to both design and execution, a focus on preparation, control, and consistency.
That often becomes a point of exchange within the team, especially when it comes to solving technical and visual challenges.
Are you a tattoo artist who travels frequently to tattoo conventions and guest spots, or do you prefer to stay close to your workplace?
Earlier in my career, I traveled extensively. Now I’m more focused on working in Los Angeles (IG: @monna.lissa_), but tattoo conventions remain an important part of the process, they bring energy and perspective. I continue to participate in selected events, and I’m also developing my educational direction, including upcoming masterclasses with a deeper focus on workflow and technical control.
And your last famous words are… ?
Most people don’t actually fail, they quit. The chance to win belongs to those who go all the way.
